Erin McNeill - Artistic Director
Erin began training at the young age of four, under the watchful eye of Dolores Kirkwood at Kirkwood Academy in New Westminster. She joined Royal City Youth Ballet Company where she performed and toured many ballets including The Nutcracker, Cinderella, and Coppelia. She also had the pleasure of performing in Royal City Musical Theatre Company's productions of Hello, Dolly! and Gypsy as a chorus girl and dancer.
In 2003, Erin joined Pacific DanceArts in Vancouver and was soon after accepted into the pre-professional division under the direction of Li Yaming. There she had the opportunity to perform both neo-classical and classical work including Swan Lake; Grand Pas de Deuxs from Le Corsaire, The Nutcracker, Raymonda and La Bayadere; as well as original choreography. In 2009, she competed in the Youth America Grand Prix Finals in NYC. Upon graduating, Erin moved to Atlanta, Georgia, to dance professionally with Atlanta Ballet, directed by John McFall and Sharon Story. While at Atlanta Ballet, she performed and gained exposure to many different styes and repertoire including Michael Pink's Dracula, David Bintley's Carmina Burana, James Kudelka's Four Seasons and Christopher Wheeldon's RUSH, as well as practicing Gaga technique for Ohad Naharin's Minus 16. She also worked with NYCB's Troy Schumacher on original work, George Balanchine's Who Cares?, and Christopher Hampson as the lead in his piece Silhouette. Erin also performed leading roles in Atlanta Ballet's productions of Cinderella and Snow White.
In May 2014, Erin appeared as a guest artist in Irene Schnider's production of Coppelia performed by Coastal City Ballet. And in June of that same year, she was one of twenty-two dancers invited from around the world to attend the Ballet Program at The School of Jacob's Pillow. There she performed in the season opening Gala in a new work choreographed by the award winning Choreographer Jessica Lang. Under program Director Anna-Marie Holmes, Erin worked with a faculty of choreographers, artists, and directors, including Dinna Bjorn, Adam Sklute, Madeleine Onne, and Maxim Beloserkovky.
During her season with Coastal City Ballet, Erin performed the lead role in the season opener of Don Quixote as Dulcinea in “Dream Scene”, lead soloist in a new work by Wen Wei Wang and was honoured to be cast as Cinderella in Ms. Schnider’s production of Cinderella, one of her favourite roles.
In October 2015, Erin travelled to Ireland to join Cork City Ballet as a Soloist. There she performed Yury Demakov's Swan Lake under the direction of Alan Foley in the Cork Opera House. And in June of 2016, Erin joined the prestigious English National Ballet under the direction of Tamara Rojo CBE to perform Derek Dean’s Swan Lake in the Round, in the world famous Royal Albert Hall in London. Also with ENB she performed in George Williamson's My First Sleeping Beauty.
In 2016 Erin joined Ballet Theatre UK as a Principal dancer and has performed and toured several lead roles such as Juliet in Romeo and Juliet which was a new creation and successfully reviewed in Dancing Times, the Queen of Hearts in Alice in Wonderland, The Sugarplum Fairy in the Nutcracker, Titania in A Midsummer Nights Dream, and the Little Mermaid in Christopher Moore’s The Little Mermaid. As well as performing a selection of feature roles in the 10 year Anniversary Gala of the company where she was again highly praised for her work in the August 2018 edition of Dancing Times UK.
In 2003, Erin joined Pacific DanceArts in Vancouver and was soon after accepted into the pre-professional division under the direction of Li Yaming. There she had the opportunity to perform both neo-classical and classical work including Swan Lake; Grand Pas de Deuxs from Le Corsaire, The Nutcracker, Raymonda and La Bayadere; as well as original choreography. In 2009, she competed in the Youth America Grand Prix Finals in NYC. Upon graduating, Erin moved to Atlanta, Georgia, to dance professionally with Atlanta Ballet, directed by John McFall and Sharon Story. While at Atlanta Ballet, she performed and gained exposure to many different styes and repertoire including Michael Pink's Dracula, David Bintley's Carmina Burana, James Kudelka's Four Seasons and Christopher Wheeldon's RUSH, as well as practicing Gaga technique for Ohad Naharin's Minus 16. She also worked with NYCB's Troy Schumacher on original work, George Balanchine's Who Cares?, and Christopher Hampson as the lead in his piece Silhouette. Erin also performed leading roles in Atlanta Ballet's productions of Cinderella and Snow White.
In May 2014, Erin appeared as a guest artist in Irene Schnider's production of Coppelia performed by Coastal City Ballet. And in June of that same year, she was one of twenty-two dancers invited from around the world to attend the Ballet Program at The School of Jacob's Pillow. There she performed in the season opening Gala in a new work choreographed by the award winning Choreographer Jessica Lang. Under program Director Anna-Marie Holmes, Erin worked with a faculty of choreographers, artists, and directors, including Dinna Bjorn, Adam Sklute, Madeleine Onne, and Maxim Beloserkovky.
During her season with Coastal City Ballet, Erin performed the lead role in the season opener of Don Quixote as Dulcinea in “Dream Scene”, lead soloist in a new work by Wen Wei Wang and was honoured to be cast as Cinderella in Ms. Schnider’s production of Cinderella, one of her favourite roles.
In October 2015, Erin travelled to Ireland to join Cork City Ballet as a Soloist. There she performed Yury Demakov's Swan Lake under the direction of Alan Foley in the Cork Opera House. And in June of 2016, Erin joined the prestigious English National Ballet under the direction of Tamara Rojo CBE to perform Derek Dean’s Swan Lake in the Round, in the world famous Royal Albert Hall in London. Also with ENB she performed in George Williamson's My First Sleeping Beauty.
In 2016 Erin joined Ballet Theatre UK as a Principal dancer and has performed and toured several lead roles such as Juliet in Romeo and Juliet which was a new creation and successfully reviewed in Dancing Times, the Queen of Hearts in Alice in Wonderland, The Sugarplum Fairy in the Nutcracker, Titania in A Midsummer Nights Dream, and the Little Mermaid in Christopher Moore’s The Little Mermaid. As well as performing a selection of feature roles in the 10 year Anniversary Gala of the company where she was again highly praised for her work in the August 2018 edition of Dancing Times UK.
Yana Dragieva - Principal teacher - Ballet - Character
Born in Shumen, Bulgaria, Yana Dragieva has studied classical ballet in the Vagganova system since the age of six. She graduated from Sofia National Music and Dance University Choreographic department in 1996 in the class of prima ballerina Kalina Bogoeva. She continued her professional development with famous Masters such as Tadeusz Matacz and Alexander Ursuljiak from John Cranko School, Loippa Aroijo from Cuba National Ballet School, Seriozna Petrosjan in Erevan and Master Daniel Sallier in Montreal. Her mentor in her teaching career was Alexander Ursuljak, former director of Stuttgart Ballet School.Yana's professional dancing career started in Varna's State Opera house and continued later at State Music Theatre, Sofia. During this period she toured and later lived and performed in Wiesbaden, Germany, Finland, Norway and France. Yana has a Bachelor Degree from Bulgarian National Music University in Dance. She specialized in Classical Ballet Pedagogy Vaganova system, Choreographing and Rehearsing.
Katherine Robidoux - Ballet
Born in England, Katherine moved to Canada as a young child, where her dance journey began at the age of three. Katherine grew up moving often, which gave her the opportunity to train in a variety of ballet and contemporary styles across Turkey, Japan, Canada and Norway. In 2015, Katherine moved to Vancouver to pursue her Bachelor of Arts at the University of British Columbia. It is then that she also joined Pacific DanceArts as a student, enrolling in the Half Day Program from 2017-21. Katherine attended Canada's Ballet Jörgen's summer intensive and Junior Company in 2019, and was invited to CBJ's Junior Company in both 2020 and 2021. Since moving to Vancouver, PDA has become Katherine's second home, and she is excited to share her love of dance here and to inspire the next generation of dancers to dream big.
Brenna Metzmeier - Contemporary
Brenna Metzmeier, is originally from Terrace BC, but completed her formal training at the Victoria Academy of Ballet, receiving a diploma in 2016. She has had the opportunity to work with Ballet Etoile, Arts Umbrella’s Performance Research Project, Sawdust Collective, Pi Theatre, The Banff Dance Company, Inverso Productions, Vision Impure, Opera Box, State of Underdress, Little Chamber Music, Corporeal Imago and Wen Wei Dance. Brenna is also a founding member of CAMP which has been selected for multiple festivals including the Vancouver International Dance Festival and Dancing on the Edge, as well as smaller scale shows and a recent choreographic commission from Lamon Dance. She has recently finished working with the Edmonton Opera as a dancer and choreographic assistant for their reimagination of Orphee+, and is in ongoing collaboration with Corporeal Imago and CAMP
Pacific DanceArts
Est. 1999